All posts by Kirsty

featured in our first Heat Exchange exhibition in 2012.

Evaporation Tests

This project has urged me to continue to experiment with the process of evaporation in order to create interesting surfaces.  I have created a few samples, whereby I set up certain conditions that allow a surface to create itself; often with a completely unknown and surprising outcome.  One such experiment allows vinegar to evaporate and then to crystallise on the surface of copper, creating a sand-like texture, not dissimilar to under-fired enamel and with the most amazing colour.

 

My inspiration for this originally came from a visit to Roger Hiorn’s Seizure, below, in which he coated the interior of a South London flat with blue crystals.  Hiorn flooded the flat with 70,000 litres of hot copper sulphate solution, which was then left to cool and crystallise, creating an atmospheric, striking crystal cave.  I loved the contrast between the tight constraints and rules that he had to follow in order to implement and facilitate the work, and the uncontrolled, unknown natural outcome.

 

I have previously combined enamel and patina in order to create a similar effect, where the  patina often creeps over the enamelled surface thereby altering the enamel’s appearance. Below are a few samples from my sketchbook.

 

Here are a few up-close photographs so you can see the surface texture and patina created simply from vinegar fumes.

 

Kirsty Sumerling

featured in our first Heat Exchange exhibition in 2012.

MA Degree Show Work

Hello fellow exchangers!  My name is Kirsty and I graduated from Edinburgh College of Art with an MA in 2010.  I am interested in the contrast between the indeterminate results of patina and the controlled process of workmanship.  My work focuses on transient beauty and impermanence; combining shards of decay with contemporary structure.  Here are some images of my degree show work:

An organised messIntrigued by the effects of time and decay, especially places and objects that have fallen into a state of disrepair I explore this condition of neglect in enamel, playing with both control and unpredictability. The resulting work is unpredictable and unexpected; a product of a process deliberately out of my control. Undetermined paintings of rust-coloured patterns, created by nature and left to chance, are trapped within liner frameworks. By isolating sections of a surface, much like the viewfinder of a camera, or the framing and judgement of the photographer, the viewer is compelled to focus on the unusual natural beauty framed within.

This collection of jewellery focuses on the beauty of surface decay and the resulting work appears as a series of snapshots of surfaces frozen in time.

Kirsty Sumerling

featured in our first Heat Exchange exhibition in 2012.