A Late Start

This year I am collaborating with my partner, Griff (Andrew Griffiths) for Heat Exchange, and like Stephen, we are starting a new body of work following an exhausting winter during which we moved house and as yet have no studio.

During the summer we were inspired by World War II pill boxes around the coast of South West Wales, ruins that are both familiar and intriguing, concrete husks that mark a destination or turning point on a Sunday walk.

a WWII gun emplacement in Ferryside
a WWII gun emplacement in Ferryside

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The bunkers are quietly disappearing, immersed by brambles and crumbling from the effects of westerly rainstorms. The architecture is modernist and brutal, ugly in aggressive symbolism but softened through time like fortified castles. They also represent security and protection and bare witness to history though never used as intended and therefore dysfunctional: spaces constructed within a few weeks that are now forgotten scars in the landscape.

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These empty places are now spaces for our imagination and focal point for a challenging shared project…!

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Catherine Fairgrieve

Catherine works across discipline boundaries, excited by the potential of combining traditional processes with new technologies. She is an artist and educator, and lives in Wales.

Heat Exchange 2- following a thread

 

 

 

It’s taken some time to renew my posts after Heat Exchange 1.

Posting on-line isn’t a normal or everyday activity for me- but it has been increasingly on my mind to upload some recent thoughts and ideas for the possible direction for this new body of work and also some images from the Summer when I visited Elizabeth (Turrell) in Bristol to help with the ‘Shock and Awe’ exhibition’ (see last post).

In the studio, Elizabeth and Stephen ,Summer 2014 in Bristol

In the studio, Elizabeth and Stephen ,Summer 2014 in Bristol

Work in Progress

My work, (the Masters students’ show had), and family commitments in Edinburgh had, prevented me making it to Erfurt to enamel with everyone- which was sorely disappointing. It would have been super to meet up with old and new friends and colleagues and share studio time and ideas. So I was so pleased to be able to visit Elizabeth, Roger and Jessica in Bristol and have time to experiment and play in Elizabeth’s inspiring studio and home.

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IMG_0058Evening train journey to Bristol from London
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IMG_1080Back In Edinburgh, Corstorphine Hill. View from Corstorphine Hill Tower, a memorial to Sir Walter Scott. 

B&W Trace brooch

‘Black and White Traces’ , brooch,  2014. Enamel, Rubber, Steel

Black Traces brooch

‘Black Trace’,  brooch,  2014. Enamel, Rubber, Steel

Now as Winter begins to move towards Spring there are some new shoots emerging after a long, dark and to be honest, quite difficult Winter.

My ideas turn around the samples I made in Bristol and some pieces that were part of an exhibition in Montreal “ÉMAUX AT THIS MOMENT” at the end of last year at Galerie Noel Guyomarch

Now I am looking forward to some of my own studio time again to take words and ideas forward.

Themes I am continuing to explore include:

“threads – hints- touches – marks – grids – pathways – lines – light – dark – shadows – boundaries –demarcation- delineation- discrimination- segregation- isolation”

More on how these progress next….